Mulholland Drive is one long drive full of twist and turns that become more and more bizarre as the movie hits the second part. The first part is actually pretty interesting. A woman escaped assassination because of a car accident. But in the process, she also lost her memory. Now it is up to her and her newly-made friend, an aspiring actress, to find out who she really is. It has shades of L.A. Confidential: something’s afoot in tinseltown. But there are also shades of Donnie Darko: strange scenes hinting that things are not as they seem, perhaps a dream or something. However, thing’s got really messy and confusing in the second part. It became a mescaline trip reminiscent of a much milder second half of 2001: A Space Odyssey (now that is one mescaline trip). At least in Donnie Darko, things gets tied together at the end, here it just gets an ending of sorts. I’d rate it two stars, but I’ll add an extra star for the scenes of the women leads making out :P

Rating: 3/5

This is essentially just a follow-up to my review of Infernal Affairs as I don’t intend on going through it again here. The two other movies in the series follow the same formula as the first: a police drama with a lot of twists and turns and great acting. I don’t know if all three movies were planned beforehand, but it sure looked like it. Though each can actually stand and are great on their own, the experience would be even better if you watch all of them and in sequence. It would also be less confusing that way.

Infernal Affairs 2, is a prequel to the first movie. It follows the stories of the lead characters Yan (Tony Leung) and Ming (Andy Lau) as they rose up the ranks of Sam’s organization and the police, respectively. This is while they grapple with identity issues that plague moles. As a backdrop to this is a complex and sometimes bloody struggle between and within the police and a powerful crime organization.

Infernal Affairs 3, is a sequel to the first movie. The original cast returns and picks up where the first movie left off. It follows the story of Ming as he tracks down all of Sam’s moles while grappling with his worsening identity crisis all the way to the climactic ending. As the events unfold, there are constant flashbacks to put the current event into perspective. Needless to say, this can sometimes be disconcerting and this is the most confusing of the three. Here’s where you will appreciate watching the first movie.

Rating: 4/5

I was finally able to watch Ghost in the Shell 2: Innocence. After failed attempts to watch it during the CineManga preview and the actual CineManga festival, I finally succeeded over the looong weekend. The movie is about robots going berserk and killing people. Batou, the main character, has to find out who is behind all these killings. This seems to be a rather common theme in robot movies. The movie actually reminded me of Blade Runner and I, Robot (which I would guess is based more on Blade Runner than on Asimov’s work). But why does it always go like that? Why not about people killing robots? Is it because robots are non-living? But what if robots also think and feel? Or if humans can be replicated into robots? Wouldn’t that blur the fine line? These questions are pose to you during the movie as it delves into the uncanny valley and other robotics issues. It’s a bit heavy. More so than Ghost in the Shell and it would help if you have seen the first movie and have an idea of robotics, cyberpunk, and other common anime themes. In the end, there really were no answers. But I suppose those are questions we don’t need to answer at least until several more decades. Thankfully.

Rating: 4/5